From good to bad
Yin and Yang.
Hot and cold.
Fast and slow.
Isn’t it amazing how the same game played at two different times can have vastly different results?
Maybe one playtest goes really smoothly. The pace of the game is just right, players are highly engaged, and people are asking when your game is going to be available.
You were riding a high, thinking that your game is getting really close to being ready for Kickstarter or pitching to publishers.
Then it happens.
The next playtest is a flop.
Players are confused. The game drags on. Nobody’s enjoying themselves like they did in the previous playtest.
So, what happened?
Different strokes for different folks
You may not have made any changes to your game since the previous playtest or perhaps only minor and fairly insignificant updates. Yet the experience is completely different.
As a game designer, you always have to keep in mind that no two people are alike. Everyone has different tastes and interests, whether it comes to food, movies, or of course, board games.
Just because one group of players doesn’t like your game as much the last group, it doesn’t mean that it’s time to start over again.
I mean, not every game you’ve ever played has been your favourite, right?
Sometimes you just have to accept that not everybody is going to love your game as much as the next person.
It’s important to understand your players and what they’re looking for in a game.
And even if your game is not exactly their cup of tea, you can still get some really valuable insights from these players.
Know your audience
Are your playtesters the same people who would buy your game?
This is really important to know.
You want to get your game in front of your target audience as much as you can. But everybody’s tastes are different and even someone who you think would enjoy your game might not.
If your game is meant for kids and families, but you are playtesting it with hard-core hobby gamers and game designers, you’re not really focused on your target audience.
However, this is not necessarily a bad thing.
Listen and learn
By observing and asking these more experienced gamers what parts of the game they like the best and which parts could use improvement, your game will likely end up better for everyone, including your target audience, as a result.
It’s important to listen to their feedback, but at the same time not completely change your game into the game that they want to play, especially if they are not your intended audience. Otherwise, you’re going to be creating a whole different game.
But at the same time, these playtesters can help you identify issues such as long downtimes, lack of interesting choices, or too much randomness. These are the types of things that not all playtesters in your target audience may recognize or be able to convey.
You know your target audience may enjoy your game, however, implementing some changes suggested by more experienced gamers may make for an even better experience for everyone.
Now, your audience
Take these suggestions and lessons learned. Use them to improve your game.
Now take your game back to your target audience to get their reaction.
Has the gameplay improved? Is it even more fast-paced and engaging? Are players now even more eager to find out about when they can get your game?
Hopefully the feedback you get from a variety of sources will help you continue to tweak and improve your game further. Just make sure to continue to stick with your vision for what your games is about and the audience it is meant for.
Keep in mind that sometimes when you get feedback from playtesters, they’re making suggestions to turn your game into the game they want to play, not necessarily the game you’re trying to create.
While this other concept could end up being a great game, it’s not your game. At least not the game you’re currently working on.
Have you had drastically different results from one playtest to the next? How did you use this to make your game better?